how is making thinking? #top

home   |   how is making thinking?   |   making ideas blog   |   who is this?   |   resource links   |   about contact


about
contact

about contact

how is making
thinking?

t

how is making thinking?

making
ideas blog

making ideas blog

who is
this?

who is this

resource
links

resource links home

home

a historical perspective


Art and decoration

The development of art and technology is a fundamental part of this story, but it is often seen as a mysterious wonder - how did all these ideas and skills originate when there had not been anything like it before?


In their recent 'History of the World' BBC Radio 4 programme series, (publ. 2011), Neal Macgregor (Director of the British Museum), David Attenborough and Prof. Steven Mithen discuss these ideas in a new way, by looking at 100 objects from the collection at the British Museum:

"...we have looked at stone tools, from approx. 2 million years ago, and this raised the question on whether it is making ‘things’ that makes us human - could you now actually conceive of being human without using objects to negotiate the world?"


"Our modern human species, 'homo sapiens' ('thinking man' in the Latin), evolved in Africa at least 150,000 years ago. But around 50,000 years ago, something dramatic seems to have happened to the human brain. Across the world, humans started to make patterns that decorate and intrigue, to make jewellery to adorn the body, and representations of the animals that shared their world. They were making objects that were less about physically changing the world than about exploring the order and the patterns that can be seen in it. In short, they were making art.
Why? Why do all modern humans share the compulsion to make works of art? Why does man the toolmaker everywhere turn into man the artist?"
resource link > Niel MacGregor: History of the world in 100 objects

cave paintings expressing early imagination and a sense of design & beauty

Nigel Spivey, in his book and BBC TV series 'How Art Made The World' (publ. 2005), also makes a distinction between art and craft in human development. Tool making is a craft evolved out of practical necessity, but decoration, sculptural and visual art arises from imagination.

He says:

"Periodically, evidence arises to indicate that human agency in making marks or patterns is older than we think - such as the engraved stone recovered from Blombos Cave on the coast of southern Africa, dated to about 77,000 years ago…"

"…The human production of art may be full of craft and decorative intent, but above all, and definitively, the art of humans consists in our singular capacity to use our imaginations… this capacity for visual symbolising arrived at a certain stage of our prehistoric evolution…" "When was it that we combined the dexterity of our hands with the power of our brains and learnt the knack of representation?"

resource link > Nigel Spivey: How Art Made The World

realism, symbolism and abstract styles were all created at least 7,000 - 14,000 years ago

what do we mean - thinking by making?

there is special knowledge and understanding to be gained by making things

childhood plays a vital part in this innovative process


a historical perspective

evidence from the past  

art and decoration

observation, trial and error

origins of maths
patterns and geometry


facing the future

living in a digital age

how can this be creative?

new ways of thinking

telling stories

artificial lives


growing concerns

being ready for the unknown

a culture of testing

one size fits all

who else thinks like this?

Reggio Emilia Atelier

Jerome Bruner

Neil MacGregor
Sherry Turkle
Seymour Papert

Michael Rosen

Edward De Bono

Sudarshan Khanna